COMP AND EQ CURVE HEADER

ONLINE AUDIO MASTERING.

Mastering – an important, yet often overlooked part in the music production process – represents the final stage of audio processing before a song or album is released to the public. It’s the last opportunity to look at your music in its entirety and give your production the finishing touches it deserves.

Online Mastering at onlinemastering.de ensures your mixes translate well across all possible playback systems and media-formats, and provides a homogeneous experience from start to finish of any album or EP. Mastering offers a new perspective on the overall sound of your music, reducing your mix’s possible weaknesses and bringing out the strengths by increasing transparency, clarity, punch and definition.

"Exactly what you'd expect from mastering. Everything sounds just better. 3-dimensional and fat! Thank you!"

Henning Schmidt (PLEMO)

"We're often asked how we manage to deliver our "international" sound. How do we accomplish that everything sounds just so clear, punchy and wide? Of course, we could argue that we are great producers. However, we mostly stick to the truth and simply refer to onlinemastering.de"

Jürgen Oman (A.G.Trio / AGES)

"It's always a pleasure to work with you!"

Johannes Rögner (FRITTENBUDE / ANETTE RECORDS)
More about Online Mastering

SOME OF MY CLIENTS

Dot - Alice
Dot - Alice
Vinyl, Digital
Frittenbude - Delfinarium
Frittenbude - Delfinarium
CD, Vinyl, Digital
Bratze - Korrektur nach unten
Bratze - Korrektur nach unten
CD, Vinyl, Digital
Rampue - Let's Be Kids Again
Rampue - Let's Be Kids Again
Vinyl, Digital
A.G.Trio - Action
A.G.Trio - Action
CD, Digital
Gisbert Zu Knyphausen und Click Click Decker
Gisbert Zu Knyphausen und Click Click Decker
Vinyl, Digital
I'm Not A Band - Band Band
I'm Not A Band - Band Band
CD, Vinyl, Digital
Universal Music Group
Universal Music Group
Seite:

^L – A.G.TRIO – AGES – ANDREAS BUCHNER – ANETTE RECORDS – ANTIME – APECRIME – AUDIOLITH – BENT DENIM – BLINDSPOT – BMG – BRATZE – BRAZED – CAPTAIN CAPA – CLICKCLICKDECKER – CRAVINOFF – DADAJUGEND POLYFORM – DISCODEMONS – DOT – EGOTRONIC – FRITTENBUDE – FUCK ART, LET’S DANCE – GIMMIX – GROOVE ATTACK – I’M NOT A BAND – IRA ATARI – JENNIFER ROSTOCK – JONAS MANN – JULIA WACHSMANN – JUNIOR CALDERA – JURI GAGARIN – KALIPO – KID SCHURKE – KRINK – MICROSOFT – MIDIMUM – MÜLLER & DIE PLATEMEIER COMBO – NATE57 – NEW YORKER – OWLET – PLAINVIEW – PLEMO – RAMPUE – RENE ARSENAULT – ROQUESTAR – RUMMELSNUFF – SAALSCHUTZ – STIFF LITTLE SPINNERS – SUPERSHIRT – ULTRNX – UNIFONO – UNIVERSAL MUSICWARNER MUSIC – Y-TITTY u.v.m.

YOUR BENEFITS

Reliable

Years of experience in dealing with customer requirements makes onlinemastering.de a reliable partner - even with time-critical projects.

All inclusive

Online Mastering without surprises, hidden costs or surcharges. Revisions? Instrumental version? Radio edit? No problem at all and all inclusive.

Professional

Those who opt for onlinemastering.de can be absolutely certain that every master is created entirely individually. No presets, no templates, no compromise.

Guaranteed

All possible corrections are already included. If you should ever be dissatisfied, you will get your money back. No strings attached.

Communication

Open and honest communication is the nuts and bolts of online mastering, and is a matter of course at onlinemastering.de.

Mix-Check

To unleash the full sound potential of your music, detailed mixing advice is an integral part of each order.

Notes on preparing your mixdown

Preferred file-format
WAV or AIFF
Preferred resolution / samplerate
24 bit / 44.1kHz (or higher)
Please deliver your mixes in the same bit-depth and sample rate as they were produced in your DAW
(ie. no up-sampling, no dithering).
 
Minimum bit-depth / sample rate
16bit / 44.1kHz
 
Headroom / peak signal
Headroom between -12 and -3dBFS is preferable but not strictly necessary. Please check your mixes for clipping though.
Levels must not exceed 0 dBFS.
Bus compression/ limiting
When exporting your mix, please turn off all effects that only serve to increase loudness.
No limiters, no maximizers. Mix-bus compression used to sculpt your mix (and that you may have
mixed into from the beginning) should remain, as your mix would most likely collapse without it.
If in doubt, please export two versions of your mix: one with bus compression and and one without.
If you are delivering STEMS please ensure all files share the same length/duration and time-code position.
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FREE MASTERING SAMPLE ORDER
  • To convince yourself of the given quality, new customers can request a free mastering-sample.
    Please have look at the notes on mixdown-preparation before uploading your file. Thank you.


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